2/1. Onion #5, oil on linen panel, 4x4 in. SOLD
I'm starting to understand more the idea of limiting the value range, at least in the way that it affects the shadow area - leaving the shadow mass soft, still anchoring the object without having to put the darkest darks there. Instead, the darkest note is in the area with the most interest. I luckily got the right colors down real fast and this turned out to be only a little more than an hour long.